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choreographer and sister of Vaslav Nijinsky">

<title>Bronislava Nijinska</title>
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<H1> Bronislava Nijinska (1891-1972)</H1> 
<a href="Images/Nijinska.jpg"><img src="Images/Nijinska.jpg" height="120"></a><dt></p>
<i>Bronislava Nijinska.</i><dt></p>
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<H2>Biographical elements</H2>
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 <li>1891: Birth in Minsk (Russia) on january 1891. Her parents,
Foma Nijinski and Eleonora Bereda, both were dancers, and her
older brother was Vaslaw <a href="Nijinsky.html">Nijinski</a>.
 <li>1900: Vaslaw and her go to the Imperial Ballet Scool
of Saint-Petersburg.
 <li>1908: she becomes a dancer of the Maryinski Theater
in saint-Petersburg.
 <li>1910: she joins Diaghilev's <a href="dance1.html">Ballets Russes</a>
in Paris and dances <a href="Fokin.html">Fokine</A>'s <a href="Carnav.html"><strong>Carnaval
</strong></a> and <a href="Petr.html"><strong>Pétrouchka</strong></a>.
 <li>1911: Vaslaw and her leave the Maryinski Theater.
 <li>1914: she composes her first choreography, <strong>La Tabatière</strong>,
in Petrograd. Then she opens a dance school in Kiev.
 <li>1921: She leaves Russia and joins <a href="dance1.html">Ballets Russes</a> the again, as a principal dancer. she also composes several ballets
for the company, such as <strong>Renard</strong>, <a href="Noces.html"><strong>Les Noces</strong></a>,
<strong>Les Tentations de la berg&egrave;re</strong>,
<a href="Bich.html"><strong>Les Biches</strong></a>,
<strong>Les Fâcheux</strong>,  <a href="Train.html"><strong>Le Train Bleu</strong></A> and <strong>Romeo and Juliet</strong>.
 <li>1928-29: She creates <strong>Le Baiser de la Fée</strong>, <strong>Boléro</strong> and <strong>Aubade</strong> for Ida Rubinstein.
 <li>1930-31: She works for the Opera Russe de Paris and creates
<strong>Etudes chorégraphiques</strong>.
 <li>1932: She founds her own company and creates <strong>Variations</strong>
and <strong>Hamlet</strong>.
 <li>1937: She leads the Polish Ballet in Paris, and also works with
Max Reinhardt in Berlin and for the Markova-Dolin company.
She creates <strong>Concerto</strong>, <strong>Le Chant de la Terre</strong> and <strong>La Légende de Cracovie</strong>.
 <li>1938: She goes to the United States and opens a school in Los Angeles.
She also works for the American Ballet Theatre and the Ballet Russe de Monte-Carlo.
 <li>1945: She becomes a ballet mistress of the Ballet du Marquis de Cuevas
and creates <strong>Les variations de Brahms</strong>.
 <li>1964: She restages <strong>Les Noces</strong> and 
<a href="Bich.html"><strong>Les Biches</strong></A>
 for the <a href="Royal.html"> Royal Ballet</A>.
 <li>1967: She leads the Buffalo Ballet.
 <li>1972: She dies on February 22, in Los Angeles.
</ul>
<H2> Some of her ballets </H2>
(POB) means: in the repertory of the <a href="POB.html">Paris Opera Ballet</a>.<dt>
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       <li> <strong>Renard</strong> (1922)
       <li> <a href="Noces.html"><strong>Les Noces [The Wedding]</strong></a> (1923) (POB)
       <li> <strong>Les Tentations de la berg&egrave;re</strong> (1923)
       <li> <a href="Bich.html"> <strong>Les Biches</strong> </a> (1924) (POB)
       <li> <strong>Les Fâcheux</strong> (1924)
       <li> <a href="Train.html"><strong>Le Train Bleu [The Blue Train]</strong>
</a> (1924) (POB)
       <li> <strong>Romeo and Juliet</strong> (1926)
       <li> <strong>Le Baiser de la Fée</strong> (1928)
       <li> <strong>Boléro</strong> (1928)
       <li> <strong>Aubade</strong> (1929)
       <li> <strong>Etudes chorégraphiques</strong> (1931)
       <li> <strong>Hamlet</strong>
       <li> <strong>Variations</strong>
   </ul>
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